Samples: Recent submissions
Now showing items 41-60 of 99
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Samples 13 (2015)
(2015) -
AABA, refrain, chorus, bridge, prechorus : song forms and their historical development
(2015)This paper deals with different dimensions of the formal construction of songs in 20th century popular music. First, it proposes that the form of songs is not only an obligatory starting point for analysis but is actually ... -
Der Sound der Stille: Portisheads "Silence"
(2014)The analysis of Portishead´s track »Silence« (2008) tries to interpret its numerous functional and semantic layers, e.g. temporal »confusion« achieved by a certain rhythmical ambiguity, the apparently fragmented lyrics, ... -
Fraktale Strukturen im Hard Rock : "Back In Black" (AC/DC), "Highway Star" (Deep Purple) und "The Future Never Dies" (Scorpions) im Fokus einer musikanalytischen Perspektive
(2014)The following research starts with the observation that in some hard rock songs a close relationship can be established between the initially exposed material of the vocals and the harmonies within the whole song. The ... -
Methoden zur Analyse der vokalen Gestaltung populärer Musik
(2014)Although voice and singing play a crucial role in many genres of popular music, to date there are only few approaches to an in-depth exploration of vocal expression. The paper aims at presenting new ways for describing, ... -
Vokale Ausdrucksmuster im Kontext von Star-Images und kulturellen Stereotypen : eine exemplarische Analyse der Vokalstile von Bert Williams und Bing Crosby
(2014)Assuming that star images are interrelated with cultural stereotypes, the present article analyses vocal expression as a means to shape both, images and stereotypes, and control their relationship. An investigation into ... -
Das musikschaffende Subjekt im historischen Wandel : vom Künstler-Ideal zum kreativ-unternehmerischen Selbst
(2014)This essay examines the historical dimensions of the production of the musicmaking subject. The first part focuses on the modern conditions under which a distinctive concept of the music-making subject as »autonomous artist« ... -
Geschichtsbilder von populärer Musik bei Musiklehrern verschiedener Schularten : eine quantitative Studie
(2014)There is a lack of research in exploring music teachers views on the history of popular music. In this study, qualitative (interviews) and quantitative methods were mixed: six teachers were interviewed, 338 participants ... -
Samples 12 (2014)
(2014) -
Deutsche Musik in der Prime Time des Radios
(2014)Over 80% of the German population listen to the radio every day. For them the music is more important than the news broadcast. The authors of this paper wanted to know under what aspects the music program in German radio ... -
Alpenloopings in Heimatklänge : Jodeln als Globalisierungsbewegung zwischen Tradition und Experiment
(2012)The subject of my contribution is the functioning and effect of yodeling as an experimental form of vocals and singing as presented in Stefan Schwieterts documentary Heimatklänge [Sounds of home] (CH/D 2007); a recursive ... -
Die Möglichkeiten und Grenzen der Messbarkeit von Musikgeschmack
(2012)The present article examines the study series »The Do Re Mis of Everyday Life: The Structure and Personality Correlates of Music Preferences,« carried out by Rentfrow and Gosling in 2003, and focuses on the creation of the ... -
Musik als politisches Mittel in Barack Obamas Wahlkampf 2008
(2012)On his way to victory in the presidential election in the USA in 2008, Barack Obama and his team benefitted from the use of a wide variety of strategic means. Obamas election campaign did not only stand out by involving ... -
Sounds of India : die Rezeption indischen Instrumentalkolorits bei Rockjazz-Gitarristen
(2012)Indian music and jazz first encountered one another in 1957; however, Indian music first achieved popularity in 1965 when George Harrison played the sitar in the Beatles song »Norwegian Wood (This Bird Has Flown)«. Both ... -
The Time is Gone!? Pink Floyds "Time" (1973)
(2012)This paper provides a hermeneutic approach on Pink Floyds popular song "Time" from 1973s album Dark Side Of The Moon. The primary aim of this examination is the analysis of the conceptual connection of music and lyrics in ... -
Subjektive Theorien von Musikerinnen und Musikern zum Üben. Ein Beitrag an der Schnittstelle von Kognitionspsychologie, Popmusikforschung und empirischer Musikpädagogik
(2012)This article reports on the findings of a qualitative interview study that investigated the individual ideas about practicing of nine musicians of different musical backgrounds, music genres, instruments, and learning ... -
Samples 11 (2012)
(2012) -
Hardrock, Heavy Metal und der Splatterfilm : Affekte und Symbole in den Filmen der Rocksploitation
(2011)Since the 1980´s a number of exploitation movies from the horror and splatter genres used rock musicians as protagonist figures. Rock music (especially hard andheavy rock, death metal, dark metal, etc.) was the mostly used ... -
Swingin´ his hands faster than Karate Kid : Der gehörlose Rapper Signmark und Gebärdensprachen im HipHop
(2011)In 2006, the deaf rapper Signmark captured the charts of his home country Finland with an album that consists of a CD and a DVD with the first raps in Sign Language worldwide.The aim of the album is to gain visibility to ... -
So einen Scheiß lade ich nicht auf meinen Laptop : Auswertung einer Studie zum Umgang von Schülern mit rechtsradikaler Musik
(2011)This paper examines the reactions of pupils to the music of right-wing extremists. Having explored the music terminology, research was conducted in search for pupils´ musical preferences. The core research question is; do ...