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dc.contributor.authorJost, Christopher
dc.date.accessioned2022-06-02T11:37:47Z
dc.date.available2012-08-29T11:36:22Z
dc.date.issued2011
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-89313
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/962
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-831
dc.description.abstractPopular music exists within an excess of different genres and styles. Throughout the decades the practicing of sound ideals has led to a common sense for musicaldistinctions. Both, performers and listeners, are aware that every musical action or creation connects with preexisting pop cultural meanings. But it is also apparent that the musicians themselves enable experience and produce meaning. They address the listener in a multitude of expressive actions that merge into an artistic personal identity. As a consequence of this music analysis has to mediate between cultural formations and the artists´ identities that are conveyed via musical actions and acts of embodiment. Therefore, two theoretical concepts, habitus and gestus, are subjected to fundamental methodological considerations.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleIdentität und Musikanalyse : Grundlegende Überlegungen zu den Begriffen Habitus und Gestus im Rahmen der Popularmusikforschungen
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExterne Einrichtungen
local.source.journaltitleSamples
local.source.volume10
local.source.articlenumber02
local.opus.id8931
local.opus.fachgebietExterne Einrichtungende_DE


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