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dc.contributor.authorPahner, Patrick
dc.date.accessioned2022-06-02T11:38:11Z
dc.date.available2014-09-05T12:07:11Z
dc.date.issued2014
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-110766
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/979
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-848
dc.description.abstractThe analysis of Portishead´s track »Silence« (2008) tries to interpret its numerous functional and semantic layers, e.g. temporal »confusion« achieved by a certain rhythmical ambiguity, the apparently fragmented lyrics, or the song´s former name »Wicca« etc. The interaction of these layers evokes a complex auditive perception, which I characterise as a feeling of »cohesionless coherence«. Finally, »Silence«´s unique sound, which presumably can be described as a balancing act between high and low fidelity, is taken into further consideration.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleDer Sound der Stille: Portisheads "Silence"de_DE
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationFB 03 - Sozial- und Kulturwissenschaftende_DE
local.source.journaltitleSamples
local.source.volume12
local.source.articlenumber07
local.opus.id11076
local.opus.fachgebietMusikwissenschaft / Musikpädagogikde_DE


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