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dc.contributor.authorBurkhart, Benjamin
dc.date.accessioned2022-06-02T11:38:21Z
dc.date.available2015-04-07T12:52:55Z
dc.date.issued2015
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-114235
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/983
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-852
dc.description.abstractAlthough various approaches to the analysis of popular music have been developed over the years, the lack of reggae and dancehall in musicological research is still apparent as is the study of groove in different musical genres. This paper proposes some possibilities to describe the specific interdependencies of rhythm and microtiming in reggae and dancehall music. In order to illustrate these stylistic features and their historical development six well known riddims ranging from late 1960s Roots Reggae to modern dancehall are analyzed and compared using transcriptions as well as spectrograms.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleRhythmus und Microtiming in Reggae- und Dancehall-Riddims : zur Analyse stilspezifischer Gestaltungsweisen und Entwicklungsliniende_DE
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExterne Einrichtungen
local.source.journaltitleSamples
local.source.volume13
local.source.articlenumber03
local.opus.id11423
local.opus.fachgebietExterne Einrichtungende_DE


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