Hudelist, AndreasAndreasHudelist2022-09-122021-04-212022-09-1220212366-4142http://nbn-resolving.de/urn:nbn:de:hebis:26-opus-160244https://jlupub.ub.uni-giessen.de/handle/jlupub/7699http://dx.doi.org/10.22029/jlupub-7133Film comes to its fore as a cultural product, which frames social experiences, relations, and is constructed through these itself. Dealing with our current global and fluid so-ciety the analysis will focus on constructions of marginalized individuals who chal-lenge the viewers with their modulations and variations of identifications. Being (someone) evades the subject of becoming, which as an empty subject makes the po-tential of alternatives transparent and invites us to pursue lived connections, and not only in human-to-human relationships. Following Stuart Hall (1994), this is where a transtopian space is created, which not only collects and allows common knowledge, but also gives space to something new to emerge. The movies Mediterranea and A Ciambra by Jonas Carpignano show us a current picture of marginalized people as well as a rhizome of migration with line of flights.enNamensnennung 4.0 Internationalmigrationlines of flightJonas Carpignanorhizomedistribution of the sensibleddc:300