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dc.contributor.authorKiesewetter, Jennifer
dc.contributor.authorSchmieder, Robin
dc.date.accessioned2022-09-12T11:26:16Z
dc.date.available2018-12-11T08:33:29Z
dc.date.available2022-09-12T11:26:16Z
dc.date.issued2018
dc.identifier.issn2366-4142
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-139023
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/7659
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-7093
dc.description.abstractThis article seeks to sketch out how the field of surveillance studies has conceptualized surveillance practices, and how cultural and technological shifts have prompted scholars to re-imagine these theoretical frameworks. The article investigates the interplay of (dystopian) popular cultural representations of surveillance cultures and the perception of and attitude towards contemporary surveillance practices, as well as how individuals react to and interact with them. The article also outlines a study regarding the aforementioned issues that was conducted among a sample of 150 university students, which focused especially on each participant s subjective ability to distinguish between fictional scenarios and real-life surveillance practices.en
dc.language.isoende_DE
dc.rightsNamensnennung 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectBlack Mirrorde_DE
dc.subjectFoucaultde_DE
dc.subjectpanopticismde_DE
dc.subjectparticipatory surveillancede_DE
dc.subjectsurveillant assemblagede_DE
dc.subject.ddcddc:300de_DE
dc.titleDystopian Realities : Investigating the Perception of and Interaction with Surveillance Practicesen
dc.typearticlede_DE
dcterms.isPartOf2856008-5de_DE
local.affiliationGCSC International Graduate Centre for the Study of Culturede_DE
local.source.journaltitleOn_culture: the open journal for the study of culture
local.source.volume6
local.opus.id13902
local.opus.instituteInternational Graduate Centre for the Study of Culturede_DE
local.opus.fachgebietGießener Graduiertenzentrum Kulturwissenschaftende_DE


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