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dc.contributor.authorWulff, Hans J.
dc.date.accessioned2022-06-02T11:37:48Z
dc.date.available2012-08-29T11:41:01Z
dc.date.issued2011
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-89338
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/964
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-833
dc.description.abstractSince the 1980´s a number of exploitation movies from the horror and splatter genres used rock musicians as protagonist figures. Rock music (especially hard andheavy rock, death metal, dark metal, etc.) was the mostly used film-musical style of these movies. The article discusses the role of horror scenarios and symbols in the public communication of metal music, based on an affinity of emotional and atmospheric characteristics of musical and narrative styles in the films of thecorpus. Violence, Satanism, and other themes of the movies are discussed as strategic devices in intergenerational diversification of audiences. At last thequestion is raised whether the symbol worlds of horror and terror are losing their traditional cultural meanings and being transformed to indirectly used codesleading to affective themes of juvenile orientation.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleHardrock, Heavy Metal und der Splatterfilm : Affekte und Symbole in den Filmen der Rocksploitationen
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExternde_DE
local.source.journaltitleSamples
local.source.volume10
local.source.articlenumber04
local.opus.id8933
local.opus.fachgebietExterne Einrichtungende_DE


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