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dc.contributor.authorHähnel, Tilo
dc.contributor.authorMarx, Tobias
dc.contributor.authorPfleiderer, Martin
dc.date.accessioned2022-06-02T11:38:10Z
dc.date.available2014-09-05T12:00:21Z
dc.date.issued2014
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-110721
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/975
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-844
dc.description.abstractAlthough voice and singing play a crucial role in many genres of popular music, to date there are only few approaches to an in-depth exploration of vocal expression. The paper aims at presenting new ways for describing, analysing and visualizing several aspects of singing using computer-based tools. After outlining a theoretical framework for the study of voice and singing in popular music, some of those tools are introduced and exemplified by vocal recordings from various genres (blues, gospel music, country music, jazz). Firstly, pitch gliding (slurs, slides, bends, melismas) and vibrato are discussed referring to a computer-based visualization of pitch contour. Secondly, vocal timbre and phonation (e.g. vocal roughness) are explored and visualized using spectrograms.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleMethoden zur Analyse der vokalen Gestaltung populärer Musikde_DE
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExternde_DE
local.source.journaltitleSamples
local.source.volume12
local.source.articlenumber03
local.opus.id11072
local.opus.fachgebietExterne Einrichtungende_DE


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