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dc.contributor.authorKaiser, Ulrich
dc.date.accessioned2022-06-02T11:38:11Z
dc.date.available2014-09-05T12:05:36Z
dc.date.issued2014
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-110757
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/978
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-847
dc.description.abstractThe following research starts with the observation that in some hard rock songs a close relationship can be established between the initially exposed material of the vocals and the harmonies within the whole song. The disclosure of the epistemo-logical position is followed by references to recent essays regarding harmony in rock music by Walter Everett, Nicole Biamonte and David Temperley. Analyses of "Back in Black" by AC/DC, "Highway Star" by Deep Purple and "The Future Never Dies" by Scorpions form the essay´s main part.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleFraktale Strukturen im Hard Rock : "Back In Black" (AC/DC), "Highway Star" (Deep Purple) und "The Future Never Dies" (Scorpions) im Fokus einer musikanalytischen Perspektivede_DE
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExternde_DE
local.source.journaltitleSamples
local.source.volume12
local.source.articlenumber06
local.opus.id11075
local.opus.fachgebietExterne Einrichtungende_DE


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