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dc.contributor.authorSchaubruch, Josef
dc.date.accessioned2022-06-02T11:38:33Z
dc.date.available2016-05-27T13:01:51Z
dc.date.issued2016
dc.identifier.issn1612-8001
dc.identifier.urihttp://nbn-resolving.de/urn:nbn:de:hebis:26-opus-120927
dc.identifier.urihttps://jlupub.ub.uni-giessen.de//handle/jlupub/991
dc.identifier.urihttp://dx.doi.org/10.22029/jlupub-860
dc.description.abstractAlthough Electronic Dance Music (EDM) ranks among one of the most popular styles in the 21st century, the academic debate about the distinct musical qualities of EDM is sparse. The article transfers the theoretical framework developed by Mark Butler (2006) to the music of the Berlin based techno collective The Brandt Brauer Frick Ensemble who create music with an EDM aesthetic by using instruments played live out of a score. The focus of the analysis is on rhythm, meter, and form. Finally, the article illuminates not only an unexplored field of producing techno in an uncommon way, it also provides an enlightening insight into the specific applicability of Butler´s analytical tools.en
dc.language.isodede_DE
dc.rightsIn Copyright*
dc.rights.urihttp://rightsstatements.org/page/InC/1.0/*
dc.subject.ddcddc:780de_DE
dc.titleVon Menschen, Maschinen und dem Minimalen : musikanalytische Überlegungen zum Techno-Projekt The Brandt Brauer Frick Ensemblede_DE
dc.typearticlede_DE
dcterms.isPartOf2146766-3de_DE
local.affiliationExternde_DE
local.source.journaltitleSamples
local.source.volume14
local.source.articlenumber04
local.opus.id12092
local.opus.fachgebietExterne Einrichtungende_DE


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