On_Culture: The Open Journal for the Study of Culture
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Alle Ausgaben und Fortsetzung siehe: https://www.on-culture.org/
On_Culture: The Open Journal for the Study of Culture is a biannual, peer-reviewed academic eJournal created and edited by doctoral researchers, postdocs and professors working at the GCSC. It provides a platform and forum for pursuing and reflecting on the study of culture. It investigates, problematizes and develops key concepts and methods in the field. More often than not, developing such new approaches and emerging topics is a collaborative and collective process. On_Culture is dedicated to fostering such collective processes and the cultural dynamics at work in thinking about and reflecting on culture.
The journal consists of three sections: peer-reviewed academic _Articles, _Essays and _Perspectives such as video clips, interviews and visual statements. On_Culture is the result of collaborative processes and emergent structures in the field of e-publishing. On_Culture puts new approaches and emerging topics in the (trans)national study of culture ‘on the line’ and, in so doing, fills the gap____ between ‘on’ and ‘culture’. There are numerous ways of filling the gap, and the plurality of approaches is something for which we strive with each new issue..
The journal offers numerous opportunities to contribute: calls for abstracts released biannually seek contributors of peer reviewed academic articles, while ideas for shorter pieces (textual, visual, graphic…you name it!) pertaining to any and all issue topics are welcome at any time.
On_Culture: The Open Journal for the Study of Culture is a biannual, peer-reviewed academic eJournal created and edited by doctoral researchers, postdocs and professors working at the GCSC. It provides a platform and forum for pursuing and reflecting on the study of culture. It investigates, problematizes and develops key concepts and methods in the field. More often than not, developing such new approaches and emerging topics is a collaborative and collective process. On_Culture is dedicated to fostering such collective processes and the cultural dynamics at work in thinking about and reflecting on culture.
The journal consists of three sections: peer-reviewed academic _Articles, _Essays and _Perspectives such as video clips, interviews and visual statements. On_Culture is the result of collaborative processes and emergent structures in the field of e-publishing. On_Culture puts new approaches and emerging topics in the (trans)national study of culture ‘on the line’ and, in so doing, fills the gap____ between ‘on’ and ‘culture’. There are numerous ways of filling the gap, and the plurality of approaches is something for which we strive with each new issue..
The journal offers numerous opportunities to contribute: calls for abstracts released biannually seek contributors of peer reviewed academic articles, while ideas for shorter pieces (textual, visual, graphic…you name it!) pertaining to any and all issue topics are welcome at any time.
URN: urn:nbn:de:hebis:26-opus-120545
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Item Reflections on ethnography as a research method(2016) Wehde, KatjaItem When dinosaurs ruled the earth? Digital animals, simulation, and the return of ‘real nature’ in the Jurassic Park movies(2016) Fuchs, MichaelThis essay argues that the digital reanimation of dinosaurs in the Jurassic Park series not only epitomizes mankind s tortured relationship with other animal species on this planet, but also demonstrates how technology transforms animals into spectral post-animal beings. Both in its diegesis and in its production, the Jurassic Park movie franchise emblematizes humanity s compulsive desire to control the rest of the planet. This desire has culminated in the most recent addition to the series, in which anima-tronics were practically completely replaced by digital dinosaurs the filmmakers could control more easily. Yet despite the tangibility, the material reality of the animatron-ics, throughout the movie series, the spectral dinosaur bodies animated by digital tech-nologies not only seem much more alive than their mechanical counterparts, but shape viewers conceptions of what dinosaurs are and what they looked like, lending the digital animals a hyperreal quality that stands in stark contrast to their symbolic equation with material nature. In the latest movie, the mosasaurus, I will argue, ima-gines the return of real nature in the face of the artificial nature represented by the Indominus rex. However, the mosasaurus, like all other prehistoric animals roaming Jurassic Park and Jurassic World, respectively, is a genetic hybrid, like the Indominus rex. In this way, the Jurassic Park movie franchise presents a telling example of the conflicted and paradoxical interrelations between technology and spectral animal bod-ies (and, thus, nature) in the digital age.Item Reflections on hunger in Burkina Faso(2016) Kalfelis, Melina C.Item "Che tempo, che tempo": geology and environment in Max Frisch's Der Mensch erscheint im Holozän(2016) Völker, OliverCritical readings of Frisch s Der Mensch erscheint im Holozän [Man in the Holo-cene] have tended to read its heterogeneous and inter-medial form as a code for the mental disintegration of its protagonist. This paper argues instead that this feature can be seen as a poetological engagement with geological and climatic timescales. Due to its hybrid form, the incorporation of a multiplicity of textual fragments and pictorial representations, the text undermines both conventional definitions of narra-tive and representations of nature. Holozän s non-linear structure establishes an aes-thetic of slowness that ushers in an awareness of the utterly different time schemes of geological and climatic processes. Furthermore, the importance of the material features, such as an interplay between text and image and the disconnected, paratac-tical arrangement of sentences mirrors the novel s focus on natural phenomena. Frisch s narrative establishes a poetics that tries to reach beyond the confinements of an anthropocentric perspective and thereby subverts the borders between culture and environment.Item Scenes of trash : aesthetic order and political effects of garbage in the home(2016) Moisi, LauraThe article discusses the role that non-humans and simple everyday objects play in political matters. It relates ideas of political theory to recent work in discard studies by asking how certain narratives and cultural appropriations of waste shape the way that political ideas are articulated. The paper employs Jacques Rancière s understand-ing of politics as a distribution of the sensible with respect to acts of disposing of waste in the home. At issue are politically relevant distinctions such as those between private matters and public concerns, visible and invisible spheres of participation, clean and dirty work. The article explores how, on the one hand, visions of modernity and the future are expressed through the meaning of waste and how trash, on the other hand, is articulated in political terms. The approach is interdisciplinary, ranging from political philosophy and feminist thought to cultural theory, with a specific interest in phenomena that address politically relevant issues through the language and aesthetics of waste.Item Embodied, relational practices of human and non-human in a material, social, and cultural nexus of organizations(2016) Küpers, Wendelin M.This article explores the significance of materiality and non- or other-human, espe-cially the role of body and embodiment in relation to intra- and inter-practices in or-ganizations and their culture from a phenomenological perspective and cross-disciplinary approach. Following a Merleau-Pontyian approach, the non-human is discussed in relation to cultural practices in organizational life-worlds. Based on a critique of physicalist empiricism and idealistic rationalism, impasses and limita-tions of naturalist and constructionist approaches towards culture are problematized. Showing the co-constitutive role of the in(ter)-between and inter-corporeality allows interpreting the corporeal nexus of material, social, and cultural phenomena of inter-practices within a continuum of the human and non-human, thus as an entangled non-+-human web. Finally, the paper discusses some implications and perspectives on the non-+-human in the study and practice of culture by particularly outlining an ethos of engaged releasement ( Gelassenheit ). This orientation will be present-ed as a letting be-come in relation to things and thinking for mediating a living sus-tainable bodiment of human and more-than-human dimensions.Item Siren songs and echo's response : towards a media theory of the voice in the light of speech synthesis(2016) Borbach, ChristophIn contrast to phonographical recording, storage, and reproduction of the voice, most media theories, especially prominent media theories of the human voice, neglected the aspect of synthesizing human-like voices by non-human means. This paper takes this lacuna as a starting point for an inquiry into the media theory of (non)human voices under the premise that the epistemological difference between techn(olog)ical voice production and its mere re-production is illuminated by the mythological motifs of the Sirens and Echo, respectively. Interestingly, the interconnection between terror and tempting nonhuman voices, which is implemented in the cultural imaginary through the Sirens song, can be identified in the media history of speech synthesis, which challenges the idea(l) of the human voice as an anthropological constant. The main concerns here are to re-read the critique of Derrida s Of Grammatology and other theories of the human voice in the light of speech synthesis and show how the oft-used term disembodied voice is inadequate when it comes to describing phonograph-ical, radiophonic, and telephonic hearing situations.Item Item Affective bodies : nonhuman and human agencies in Djuna Barnes's fiction(2016) Oulanne, LauraDjuna Barnes s work is an intriguing example of the ways fiction makes its readers face the nonhuman as having potential for agency, and shows the entanglements be-tween human and nonhuman. In the stories, objects tend to steal the attention from the main characters and become agents in their own right. At the same time, a lot of Barnes s human characters remain unreadable, and thing-like or animal-like; as such, nonhuman themselves.This article asks why readers become engaged with such texts and how we make sense of them. Drawing on new materialist and posthumanist conceptions of distrib-uted agency and affect, I explore the entangled human and nonhuman agencies that contribute to the action of the narratives and, arguably, to their affective appeal, the two being closely intertwined. To discuss the reading processes the texts invite, I employ embodied cognitive approaches to the process of reading fiction. Based on the analysis of Barnes s novel Nightwood and her less researched short fiction, I propose that reading these texts is largely a process of affective, embodied sense-making that pertains equally to human and nonhuman fictional agents, revealing their mutual dependence and their equal capacity to affect.Item A poetic reading of permaculture in three helical aesthetic plans(2016) Schröder, AndressaItem Design and modeling as processes of creating culture(2016) Trischler, RonjaItem Digital dark age : an overview for the humanities and social sciences(2016) Migowski, Ana LúciaThe possibility of a Digital Dark Age worries computer scientists, archivists, and librarians, but it also concerns humanists and social scientists. The absence of access to digital data and cultural products due to the obsolescence of technologies used for today s communication, entertainment, work, production and circulation of scientific knowledge is an imminent risk. This report is based on texts and interviews with experts. Here we provide an overview of this emergent and urgent problem and present suggestions for prevention.Item Emergent emergencies in complex ecosystems : reflections on the limits of narrative cognition and a revisiting of Michael Crichton's Jurassic Park (1990)(2016) Scherr, AlexanderThis article argues that emergent emergencies in complex natural systems or eco-systems can be understood as the ethical consequences of cognitive failure or epis-temological error (Gregory Bateson). More specifically, I hold that complex systems display emergent behaviors, and that narrative cognition our human default way of making sense of the world is not particularly well suited for understanding emer-gence. Building on previous narratological work on the incompatibility of narrative and emergence (H. Porter Abbott, Richard Walsh), I argue further that narrative think-ing and complex systems are each characterized by distinct types of agency, or ways of conceptualizing agency. In its second half, the essay turns to Michael Crichton s classic Jurassic Park (1990), reading the novel as a fictional thought experiment which not only simulates an emergency situation, but also explores the reasons for the collapsing of the control system in the fictional theme park from the vantage of chaos theory. It will be shown that the emergent emergency staged in the novel is the result of cognitive failure on the part of the park managers, who are misled by a narrative of centralized control (Abbott) in their attempts to control the park and a reductionist conceptualization of life. Such reductionist approaches to life are contrasted with ecological frameworks in this article.1Item Schools under fire? : school shootings and the construction of a cultural discourse of emergency(2016) Braselmann, SilkeContrary to popular belief, rampage violence at suburban and rural schools occurred before the infamous Columbine High School shooting in April 1999. While school shootings before Columbine gained international media attention were treated as a local rather than a national or even international problem, they are now seen as an emergent phenomenon that has to be addressed with appropriate urgency.In this paper, I want to examine whether school shootings are in fact increasing and address the medial construction of the discourse of emergency that has evolved around these acts of excessive violence. I argue that the public perception of school shootings is inseparably intertwined with the media dynamics in the aftermath of these incidents. In these discursive dynamics, I argue, it can be seen that these acts of vio-lence lay open society s underlying fears. School shootings, as this paper shows, are closely linked to contemporary media logic and can be understood as examples of the contemporary dynamics of cultural discourses of emergency.Item Curating as research(2016) Gschrey, RaulItem Shake those methods! The art of doing research(2016) Krit, Alesya; Wehde, Katja; Gschrey, Raul; Trischler, RonjaItem New narrative forms in the digital age : the emergence of enhanced e-books(2016) Weigel, AnnaItem The wisdom of crowds(2016) Kohle, HubertusItem The trouble with emergence(2016) Schniedermann, Wibke