The well-tempered color circle: A chromatic Gestalt

dc.contributor.authorKoenderink, Jan J.
dc.contributor.authorvan Doorn, Andrea J.
dc.contributor.authorBraun, Doris I.
dc.date.accessioned2024-12-20T10:43:02Z
dc.date.available2024-12-20T10:43:02Z
dc.date.issued2024
dc.description.abstractThe “Color Circle” is an important chromatic Gestalt in the visual arts. There is not really a formal equivalent in conventional colorimetry. The fact that the hues can be linearly ordered and that such an order is necessarily periodic was intuited by artists in the early 19th century, but only formally explained by Ostwald and later Schrödinger a century later. As with musical keys, various metrical orders are in common use. Is there such a thing as a “well tempered” order? We consider this an issue for experimental phenomenology. We discuss an attempt based on observations by 30 (nonartist) observers.en
dc.description.sponsorshipDeutsche Forschungsgemeinschaft (DFG); ROR-ID:018mejw64
dc.identifier.urihttps://jlupub.ub.uni-giessen.de/handle/jlupub/20121
dc.identifier.urihttps://doi.org/10.22029/jlupub-19476
dc.language.isoen
dc.rightsNamensnennung 4.0 International
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subject.ddcddc:150
dc.titleThe well-tempered color circle: A chromatic Gestalt
dc.typearticle
local.affiliationFB 06 - Psychologie und Sportwissenschaft
local.projectSFB/TRR 135, project number 222641018
local.source.epage23
local.source.journaltitlei-Perception
local.source.number4
local.source.spage1
local.source.urihttps://doi.org/10.1177/20416695241269314
local.source.volume15

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